In all fairness though, a lot of the things that bug me about sitcoms and comedy series in general probably sound strange to others, too.
Network research suggested that the laugh track was required in order to brand a single-camera show as a comedy. In 1965 CBS showed its new single-camera sitcom Hogan's Heroes to test audiences in two versions: one with the laugh track, the other without. Partly due to the somewhat cerebral nature of the show's humor, the version without the laugh track failed with test audiences, while the version with canned laughter got an excellent reaction. The show was broadcast with the laugh track, and CBS decided to utilize Douglass' services moving forward for all single-camera sitcoms.
"Why a laugh track?" Scheimer asked. "Because you feel that you are watching the program with a group of people instead of being alone."
In 2011, critic James Parker bemoaned the absence of laugh tracks in many popular sitcoms of the time, feeling that the idea of not having an audience had become an overused gimmick:
"Silence now encases the sitcom, the lovely, corny crackle of the laugh track having vaporized into little bathetic air pockets and farts of anticlimax. Enough, I say. This burlesque of naturalism has depleted us. Give me the honest joinery of The George Lopez Show, the fat gags and the cackles on demand, over Parks and Recreation or NBC's ghastly version of The Office. Who knew irony could be so cloying?"
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